🧠 How to Retain What You Practice at the Piano (Part 2)


Quick note: I'm working on a scales course for pianists who already know or once knew their scales and want to level up. I've been making good progress: the outline is finished, and I'm preparing to film at the end of the month. I've created a waitlist for this course, and more than 450 pianists have joined it so far. If you would like to be among the first to hear when it is ready, you can ​join the waitlist here.​ Clicking that link will automatically add you to the list and take you to a page where you can fill out short survey that will help me tailor the course to you and make it the best experience possible.

Dear Friends,

Last week I mentioned the survey that many of you have filled out. So far, I have received around 1800 responses, and learned a lot from all of you! (If you'd like to take the survey, you can fill it out here.) When asked about what is most frustrating or difficult for you at the piano, hundreds of you have said some version of this:

“I practice, but I don’t seem to make progress.”
“I come back the next day and it feels like everything is gone.”

Hearing this from so many of you has led me to spend some time in these newsletters focusing on the issue of retaining what you practice. In last week’s email I wrote about overlearning as a strategy to make faster progress.

This week I want to share another technique that can help: interleaved practice.

Psychologists have found that if you take the same amount of time you’d normally spend working on something and split it up, taking breaks before reviewing the material, you will retain what you are learning more effectively. In the research world this is often called spaced or distributed practice.

At the piano, one very effective way to do this is through interleaved practice, where you rotate between pieces instead of working on one in a big block.

Imagine that you are learning a language. You have 50 vocabulary words to memorize for a quiz next week.

Does it make more sense to review the list every morning and evening for 10 minutes, totaling 140 minutes over the course of a week (10 minutes x 2 sessions x 7 days), or just work for one 140-minute session to learn the 50 words, and then take the test 7 days later?

I think you will most likely agree that it sounds like a ton of boring work to spend 2+ straight hours staring at 50 vocabulary words, and it also sounds pretty unrealistic to expect to remember those words one week later without any review.

When you first learn something, you need to review it briefly and frequently in order to retain it. Returning to the vocabulary list as an example: if I have 50 words to learn, it will be more effective if I look at it briefly several times over the course of a day. Each time I return to the list, I will have forgotten some of it and I will need to review what I’ve forgotten.

The process of learning, forgetting a little bit, and re-learning is what allows you to retain what you learn.

When people report that they don’t retain what they have been practicing at the piano, it’s often because they are doing what is called massed practice. They are practicing one piece for a while, then putting it away and moving on to another piece, and so forth.

Practicing one thing at a time, aka “massed practice,” might feel effective in the moment, but it doesn’t lead to as much retention as interleaved practice does. In interleaved practice you practice each piece for briefer periods and come back to everything several times, instead of doing one long block on one piece at a time.

Here’s the difference between massed vs interleaved practice:

Scenario A: massed practice

  • Piece 1: 30 minutes
  • Piece 2: 30 minutes
  • Piece 3: 30 minutes

Total: 90 minutes of practice

Scenario B: interleaved practice

  • Piece 1: 10 minutes
  • Piece 2: 10 minutes
  • Piece 3: 10 minutes

Repeat this 30-minute structure three times

Total: 90 minutes of practice

For more on interleaved practice, check out this short video where Robert Bjork, a psychology professor at UCLA, explains some studies that have found interleaved practice to be more effective than massed practice.

So, if you are one of the hundreds of people who have told me that you struggle to retain what you practice, try interleaved practice this week.

(Just a warning: if you’ve never done interleaved practice before, it can feel quite taxing and slightly chaotic. But stick with it - that’s a normal feeling that comes with this kind of learning. It's a sign that it's working!)

Let me know how it goes!

👋 Happy practicing,

Kate

🎹 Upcoming performances

This spring, I'll be performing Fanny Mendelssohn Hensel's Das Jahr at the following venues:

February 17, 7:30 pm: Susquehanna University, Selinsgrove, PA (free)

February 19, 6:30 pm: Gettysburg College, Gettysburg, PA (free)

March 12, 7:00 pm: Bellarmine University, Louisville, KY (free)

April 26, 3:00 pm: The Scarab Club, Detroit, MI (tickets at the door)

I'll also be performing Tchaikovsky's Piano Trio with colleagues here at Butler University on April 15 at 7:30 pm. (This is free, too!)

All concerts listed here are open to the public - if you're in the area, I hope to see you there, and please stick around to say "hello" afterwards!

💜 Picks of the Week:

  1. 🎹 Performance: Happy birthday, Felix Mendelssohn! To celebrate his birthday this past week on Feb 3 I've been listening to my favorite symphony of his: the Italian Symphony. It's so exuberant, it's impossible not to smile. [Listen here.]
  2. 🎵 Sheet music: Masterpieces With Flair, Edited by Jane Magrath. Really solid collections of standard repertoire in three volumes, each at a different level. Magrath does a great job selecting repertoire for her anthologies and edits them well. Buy here: [Early Intermediate] [Upper Intermediate] [Early Advanced]
  3. 📚 Book: Mendelssohn: A Life in Music, by R. Larry Todd. This is a meticulously researched, eminently readable biography of Mendelssohn. [Buy it here.]

🎹 Stay Connected:
🇭🇺 Study with me next summer at the inaugural Chroma International Music Festival in Miskolc, Hungary from July 9-19, 2026. Featuring a Young Artist Program and an Adult Piano Intensive.
Learn more and sign up here.
🎵 Want help? If you’d like a focused session to get feedback, troubleshoot technical problems, get help making a plan for your practicing, or address other issues you are having in your playing,
you can book a session with me here. ​
📺 Subscribe to my YouTube channel.
📚 See my favorite books and resources on
Amazon (affiliate link).
🎓 Interested in auditioning to study with me at Butler University? Reply to this email!


Kate Boyd, D.M.A.
🎹 Pianist | Educator | Creator
Professor of Piano,
Butler University

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