🕰️ This Piece Was Lost for 150 Years


Dear Friends,

A quick reminder that our 27th Annual Piano Camp is happening June 16-20 in Indianapolis at Butler University for pianists ages 12-18. We will offer private lessons, performance opportunities, ensembles, movement and theory classes, and more. If you, your students, or a young pianist you know is interested in a week of immersive music-making, including private lessons, ensemble work, and performance opportunities, I'd love to see them there!

Please note that this year camp will be for commuters only. In the past, some out-of-town students have come with a parent and stayed locally - there are many accommodation options near campus.

Anyway, here’s what I’ve been thinking about this week: the seasonality of professor life. After the nonstop activity of two 14-week semesters, everything comes to a sudden halt, and the students disperse.

Suddenly, it's very quiet. And there’s space to turn your attention back to your own work.

To that end, I’ve been enjoying doing some gardening and having the time to sink my teeth into my summer project: learning Das Jahr, a 50-minute cycle for solo piano by Fanny Mendelssohn Hensel. It’s made up of 13 character pieces—one for each month of the year, plus an epilogue.

Hensel composed Das Jahr in 1841 as a Christmas gift for her husband, but the score was lost until 1989, when it was discovered and finally published.

I’m learning the whole set this summer in preparation for performances and a CD recording next season.

I’m sure many of you have similar schedules to mine: a season of teaching and then a season of refocusing on your own projects. So, my question for you this week is: what are you making time for this summer?

👋 Have a great week! Happy practicing! 🎹

-Kate

Practice TIP of the week:

Here are the most recent practice tips I have covered:
🎵 April 13: Pacing Hairpins
🎵 April 20: What is Phrasing?
🎵 April 27: Connecting Dynamics to Emotional Expression
🎵 May 4: "Chunking" for Easier Memorization

Each month, I focus on a specific theme for practice tips. This month’s theme is Memorization Strategies.

Today's Practice Tip: Memorize Jump Spots

In a recent piano studio recital, one of my students completely lost his place in the music. This was a piece he had played confidently in lessons for weeks. Has this ever happened to you? It’s scary to be onstage and blank out. That’s why I teach a strategy that helps your memory hold up under pressure: memorizing jump spots.

"Jump spots" are pre-determined places in the piece you can “jump” to confidently if you lose your place.

The fact is, no matter how much you try to prepare, performing on stage feels different from when you’re in the practice room or even playing for your teacher.

Students sometimes tell me they feel like a piece has memorized itself, without any conscious effort on their part. (Does this sound familiar?) Unfortunately, that’s muscle memory at work, which is the most fragile kind. Your muscles are moving, but your brain is not actively engaged in the recall process. The reason this fails on stage is because when you're performing, you are in a different physiological state than usual. What once felt familiar and automatic can suddenly feel strange and unknown.

Therefore, when you practice memorization, it’s essential to actively work to strengthen your recall process; this is so that when you are in a stressful or new situation, you will still know where exactly where you are in the piece.

Here’s how to memorize jump spots.

Step 1: ✍️ Mark jump spots

In your score, write in letters for each section of the piece. These can be structural markers (like the start of the B section), or they can be transitions, beginnings of phrases or anywhere you are feeling uncertain about the memory.

Step 2: 🎯 Practice starting at each jump spot

After you’ve gone through your piece and written in all the letters, make a list of those letters in your practice journal, starting with “A.” Play the first two to three measures of the first jump spot, then jump to “B” and play the first two or three measures there. “Jump” your way through the piece to the last jump spot.

Step 3: 🧠 Memorize the jump spots

Here’s where it gets interesting! Practice until you can start from "A" from memory, then learn to start from "B" from memory, etc., all the way through the piece. Practice until you can go through the piece without the music and hit all of the jump spots in order, playing 2-4 measures at each one, before stopping and jumping to the next one.

Step 4: 🎲 Randomize

Once you can confidently play all the jump spots from memory in order, it’s time to scramble them up. Write each of the letters on a small piece of paper, then fold each one up and put them all into a coffee cup, hat, or container of your choice. Draw them out at random. When you draw a letter, you must start at that jump spot, from memory.

It’s okay to check the score if you need to, but the goal is to make starting at each spot feel as natural as starting from the beginning.

At first, this will be very difficult, especially if you’ve never done it before. But keep at it! Over time, these spots will become mental anchors that will stabilize your memory and give you the confidence that you can recover in performance.

You’ll also gain a better understanding of the overall structure of the piece. When you play complete performances of the piece, you will know where you are in your mental “map” of the piece.

This is a great exercise for teachers. In lessons, I often test memory by asking students to jump around in the piece from one "jump spot" to the next.

Have you used this method before in your own playing or teaching? If you’ve never done it, try it out this week on something you're memorizing. I’d love to hear how it works for you!

Quote of the Week

“We have to continually be jumping off cliffs and developing our wings on the way down.”

– Kurt Vonnegut, If This Isn’t Nice, What Is?: Advice for the Young

🎥 YouTube Update

I'm currently in the process of filming new tutorials and videos! Last weekend was Butler’s graduation, which reminded me of a behind-the-scenes video I made a couple years ago during commencement. If you’re curious what graduation looks like from the faculty side, click here to watch it!

The next new video drops Tuesday, May 20th. It’s the first in a Q&A series I'm making to celebrate hitting 25,000 subscribers! I’ll be answering four viewer questions, including how to structure your practice time and whether practicing Hanon is worth it.

Want to be notified when a new video comes out? Click here and I will send you a quick email the day I publish a new video.

💜 Some of My Favorite Things

  1. 🎶 The Cliburn Competition: The 2025 Cliburn Competition will take place from May 21-June 7. You can find the full schedule and stream it on the Cliburn website. Here's Yunchan Lim, gold medalist from the 2022 Cliburn Competition, playing Chopin's breathtaking "Winter Wind" etude, Op. 25, No. 11.
  2. 📖 Book: The Complete Pianist, by Penelope Roskell. I bought this book at a recent conference. Several of you recommended it to me and I wanted to check it out myself. It's a detailed guide to healthy technique and expressive playing with step-by-step exercises and video demonstrations.
  3. 🎧 Audiobook: Not music-related, but something I would love to recommend. Meryl Streep narrates the audiobook version of Tom Lake, by Ann Patchett. A gripping story, beautifully told, and Streep is SO good. If you want a memorable summer audiobook experience, this is for you. You can thank me later! 😊

🎹 Stay Connected:

  • 🎵We still have spaces for Butler University's Piano Camp, June 16-20 on Butler's campus in Indianapolis! Open to students ages 12-18 with at least one year of piano study. Learn more and register here!
  • 📆 Book a lesson or a coaching session with me. I have updated my available dates through the end of June!
  • 🎓 Contact me to learn about applying to study with me at Butler University at the undergraduate or master's level. Go Dawgs! 🐾
  • 📚 Check out my Amazon page, where I share my recommended books, technical exercises, gear and more!
  • 🎥 Subscribe to my YouTube channel!
  • 📱Follow me on Instagram!

🎹 Pianist | Educator | Creator
Dr. Kate Boyd
Professor of Piano,
Butler University

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